UMBERTO CICERI 

 Il mio lavoro è progettare soglie percettive.
My work entails drawing perceptual thresholds.

 His reseach is based on neuroaesthetic studies, a personal evolution of a technique that involves the use of special lenses, which encourages to move around in front of the work in a ritual perceptive of temporal coincidence, 
and this is called Hypertrait.
By designing interference patterns translated into shapes, the artist tries to involve the viewer in a kinetic relationship with the artwork, made of visual anchoring and intra-activities linked to movement.

LINK VIDEO INTERVIEW

La forma del ritmo at the MA*GA Museum is his first solo exhibition hosted at an Italian museum and opened on occasion of the eighteenth Giornata del Contemporaneo promoted by AMACI.

Ciceri’s artworks become devices that don’t simply show colour, but also create it. Technically, we find ourselves before this coexistence between two different kinds of elements: on the one side, chromatic elements born of subtractive synthesis, printed on paper by mixing cyan, magenta and yellow; on the other, dynamic chromatic elements, resulting from light reflections and refractions within the lenses that are put in contact with the printed paper. These dynamic chromatic elements stem from additive synthesis and are able to transmit and build colours though a direct manipulation of light, which in our case is amplified by the spectator’s own movement. For this reason, a chromatic element is always paired with a rhythmic element, the rhythm of those who move, walk, and shift back and forth in front


 CHRONOCHROMATISM

Geometry is my North Star


       Curator: Alessandro Castiglioni

               SOLO EXHIBITION - March 15  April 23, 2024

Martina Kaiser Contemporary Art Cologne presents a new solo show by Umberto Ciceri.


LA REGGIA DI CASERTA
IN SUPPORT OF
AMNESTY INTERNATIONAL


HUMAN
FIGHTS RIGHTS LIGHTS

VIDEO TRILOGY OF THE 1948 UNIVERSAL DECLARATION OF HUMAN RIGHTS
the ambiguity of the outcome of this great project of the western modern era, soon to celebrate its seventieth anniversary.

LINK VIDEO

HUMAN

HUMAN Fights Rights Lights

dal 10 dicembre 2018 al 31 gennaio 2019

Senesi Contemporanea 25 Dover St, Mayfair, Londra 

HYPERTRAITS

A crasis joining together the words “hyper” and “portrait”, it defines the Hypertrait as a neuroperceptual modality of portraying visual events, which get amplified by the act of observing while moving.


MAIN GALLERY 


LIQUID ART SYSTEM 

CAPRI  POSITANO  ANACAPRI  ORTIGIA MIAMI

 GALLERY


MARTINA KAISER 
COLOGNE CONTEMPORARY ART

COLOGNE

GALLERY

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GALLERIA RAVAGNAN



SAN MARCO - DORSODURO

VENEZIA


GALLERY

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OBLONG

CONTEMPORARY ART GALLERY


DUBAI


WEB SITE

GALLERY

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SIMONBART

GALLERY


BOLOGNA - PORTO CERVO


WEB SITE

Atelier

VIA DELLA TECNICA 57/B3
SAN LAZZARO DI SAVENA
BOLOGNA
ITALY

Among the institutions that hosted his artwork in the past are: Maga Museum on occasion of the eighteenth Giornata del Contemporaneo “Contemporary Art Day”promoted by AMACI, Kunstverein Friedberg (Identities, 2020), il Museo Marino Marini (Ex Voto, 2019), il Teatros del Canal, Madrid (Human, 2017), il Museo Nazionale del Bargello (E dell’Arno alto tesoro, 2013) e l’Istituto Italiano di Cultura di Hong Kong (Andante, 2013). In 2011 he took part at the 54. Biennale of Venice for the Italian pavilion, curated by Vittorio Sgarbi.

With the patronage of Amnesty International he implemented the exhibition „Human Fights Right Lights“at the historical Reggia di Caserta in 2018.

 

He also took part in international events, such as: Artefiera, Bologna; Art Miami, Miami; Scope, New York; Art Karlsrhue, Karlsrhue; Museum Villa Rot, Burgrieden; Luxemburg Art Week; MIArt, Milano; Art Verona, Verona; Fotografia Europea, Reggio Emilia.





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